Today, Japan is taking international Kendo tournaments very seriously and acknowledges the fact that non-Japanese can exhibit a very high standard of Kendo. One such foreigner is professor and author, Alex Bennett, a Kyoto resident and founder of Kendo World Magazine. “It drove home to me how Kendo has affected me and become part of my DNA” says Alex just after passing his 7th dan Kendo examination on his first attempt. “And that is exactly what the examiners are looking for”. At the Tokyo family dojo of Sensei Hiroshi Ozawa, classical swordmanship is practiced alongside Kendo. Born into a large family of Kendo masters, Ozawa Sensei firmly believes that training in classical sword technique is the best way to develop one’s Kendo. “I notice when doing Kendo sparring I find myself doing Koryu techniques. It makes sense. It is the root of Kendo”. Sending opponent’s to the floor with foot-sweeps and grappling may seem abhorrent to those who practice Kendo as a sport but this is part of the pre-war Kendo that is being preserved at the Ichikenkai Haga dojo. Sensei Terukuni Uki, a student of the founder Junichi Haga, says “Words like old-style Kobudo or Kobujutsu are used but If you practice old techniques without forgetting their origin and spirit then such words as ‘old’ are not needed”. Old or new, Kendo continues to evolve, whether your objective is winning competitions or developing yourself as a better person. Kendo is fast becoming one of Japan's biggest martial art's alongside Karate and Judo and there is a strong push to make it an Olympic sport... a decision which may just split the old guard from the new.